ALMA CLARA

Erica Cristalino

CREATIVA CERAMICS GALLERY - TERRACOTTA BIENNAL 2026

ALMA CLARA - ERICA CRISTALINO

Erica de Alma Clara (Erica Cristalino, Argentina, 1969) lives and works in Terrassa. Trained as a designer in Argentina, she found in ceramics a form of expression that transformed her approach to work and her understanding of the material. Today, she develops her artistic project Alma Clara, bringing together all these experiences into a deeply personal body of work. In 2025, she presented her work at the Andakulova Gallery in Dubai, expanding her international presence.

Her pieces stem from the use of refractory clay and porcelain fired at high temperatures—a combination that highlights volumetric synthesis and technical control. The white monochromatism shifts the focus toward formal structure, placing her work at the intersection of contemporary figuration and organic abstraction. Through the exploration of organic shapes and the human figure, her work with texture creates contrast and movement within each piece.

She works with various types of clay, which she blends according to the needs of each creation, using oxides to build nuances and surfaces rich in depth. Every piece is the result of an experimental process where matter, texture, and fire play an essential role. In this process, clay ceases to be merely a material and becomes the medium through which her personal and formal search is articulated.

Through Alma Clara, Erica de Alma Clara creates an artistic universe that invites observers to contemplate the beauty of nature, transformation, and the connection between matter and emotion.

@almaclaraceramica - www.alma-clara.es

TITLE OF THE PIECE:

Infinite Love

CONCEPTUAL DESCRIPTION:

This sculpture symbolises infinite love that transcends time and space: an eternal bond between mother and child that exists even before birth.

YEAR OF CREATION:

2025

TECHNIQUE:

Hand-built in 0.5 clay with textures created on a slab.

MAIN MATERIALS:

White refractory clay with grog (0.5 mm).

PAINT:

Matt white glaze.

FIRING:

Two firings at 1,200 °C.

TITLE OF THE PIECE:

Freedom

CONCEPTUAL DESCRIPTION:

This piece symbolises freedom, strength, feminine beauty, passion and empowerment. The wings that adorn it represent the ability to overcome limitations and obstacles. A message of invincibility.

YEAR OF CREATION:

2024

TECHNIQUE:

Hand-built in 0.5 clay with textures created on a slab.

MAIN MATERIALS:

White refractory clay with grog (0.5 mm).

PAINT:

Matt white glaze.

FIRING:

Two firings at 1,200 °C.

TITLE OF THE PIECE:

Free Mind

CONCEPTUAL DESCRIPTION:

This sculpture symbolises that, although the body appears to remain still, the mind has already taken flight. Bound on the outside, free within.

YEAR OF CREATION:

2025

TECHNIQUE:

Hand-built in 0.5 clay with textures created on a slab.

MAIN MATERIALS:

White refractory clay with grog (0.5 mm), cellulose porcelain and textile bandage.

PAINT:

Matt white glaze.

FIRING:

Two firings at 1,250 °C.

TITLE OF THE PIECE:

Bird - Hummingbird

CONCEPTUAL DESCRIPTION:

This sculpture symbolises freedom, strength, feminine beauty, passion and empowerment.

It represents the search for beauty and the nectar of life.

YEAR OF CREATION:

2026

TECHNIQUE:

Hand-built in porcelain with textures.

MAIN MATERIALS:

White refractory clay with 40% grog (0–0.5 mm) and cellulose porcelain.

PAINT:

Ochre-coloured oxides and a chrome finish applied with a blowtorch.

FIRING:

1,250 °C.